Literary Praise

"Guy Biederman is a writer of perfect voice and mischievous brilliance; a true mechanic of the senses. He pushes his art so seamlessly to the limits of craft, it's as if his stories are the errands of new physics. With modal fiction, like waking up in America with no bloodline but having finally made a friend, Biederman is the jazzman who walks you home."

Tongo Eisen-Martin, 8th Poet Laureate of San Francisco, author of Someone's Dead Already and Heaven Is All Goodbyes, California and American Book Award winner

“Guy Biederman's truth at the microphone in Nova Nights, these are the antidotes. I don't know if it's the Bay Area thought accents or the moment of reading but I find my time in these poems. To paraphrase one of Guy's thoughts, some words change the night, they will not be the same after that. These typewriter drawings, these moments as a poet in an alley, these poems deserve your reading time."

Kim Shuck, 7th Poet Laureate of San Francisco

”From the first time I heard Guy read, I was struck by his reverence for our gathering, for the act of listening as much as his turn on the mic. What you find in his writing is that reverence, or wonder, is just how Guy sees. Whether he’s grappling with his place in a protest in The City, or contemplating the life-lessons of boat-life in Sausalito with his cats and wife, there is no attempt to speak as though he has figured more out than the desire to value every aspect of his life and how it might ripple toward a kinder, more playful world."

Abe Becker, Grandslam Champion of CAL Slam and the Berkeley Poetry Slam, National Poetry Slam Group Piece Champion, host of Nomadic Press' monthly new-work series, Get Lit

”Much like a beloved piano composition, Guy Biederman's poetry makes you feel all the things: love, joy, melancholy, contentment. In that way his poetry does what poems are supposed to do—show you your own life from a profound and refreshingly different perspective, in ways that make you eager to see and hear it."

Nazelah Jamison, author of Evolutionary Heart

“In this collection Guy Biederman writes magic into the matter-of-factness of life, turning everyday objects and encounters into something numinous ‘peeking through the blinds.’ "

Marguerite Muñoz, Co-founder of Voz sin Tinta multilingual reading series in San Francisco

”Wandering the pages of Guy Biederman’s fifth collection is like entering a carnival of quotidian life. In this assemblage of hybrid pieces, the author lends us his rainbow glasses, through which we may witness everyday objects and events transformed into episodes of wonder. Biederman combines a loose narrative style with lyrical elements, juxtaposing the mundane and surreal. Many of these pieces speak to the poet’s craft and celebrate his membership in the tribe of writers and musicians. There’s a compelling jazz rhythm to this collection, which beckons us to enter a world of small ecstasies where “wind stirs the rodeo dust.” The poem “Yes Love” ends with the line “Love is at the core of this resistance, love is at the core of this rage.” Love is at the core of this collection."

Sandra Anfang, author of Xylem Highway

“Guy Biederman's poetry lifts the spirit. Open Nova Nights to any page, his words will light the way to the corner of Magritte and Mary Oliver where you'll meet your new friend, Possibility, and discover an avocado in the tomato bin, dreams a woman can no longer have but must never be forgotten, and a couple of cats on a houseboat licking the world clean."

Chuck Brickley, author of multiple award-winning Earthshine

"Sunspot stories: fleet, brief, and radiant."

Molly Giles, author of Rough Translations and All The Wrong Places

"Guy Biederman has the skill and sensibility to bring these stories to moments of illumination and an impact disproportionate to their size."

Leonard Gardner, author of Fat City

"The stories in Soundings & Fathoms may be short, but they carry the mysterious depths of the collection's title. These are funny stories, moving stories, stories that will make you look at the world in a fresh, astonished, way; these stories are small gems that, together, create a great treasure."

Gayle Brandeis, author of The Art of Misdiagnosis and The Selfless Bliss of the Body

“The Miraculous Ordinary

These apparitions of distilled experience are anything but flash fiction, for Guy Biederman’s secular epiphanies are offered to “You,” the embedded reader, in slow motion, like the heartbeats of a place or a moment of moments rescued in time from beyond it.

In his compressed landscapes, silence rises from everywhere beyond words and through them: a dissolving of the self into the great flow of being.

In Pink Fleece: ‘At twilight he walked to the river. A pink sunset reflected in the fast moving water.

A doe appeared, eyed him tentatively, and took a sip.’

In Soundings and Fathoms, Biederman holds up Blake’s proverbial grain of sand, shimmering with eternity, one after another.

Stewart Lindh

“Small gems with huge heart

Biederman is a master of what he used to call low-fat fiction. These wonderful flashes of brilliant insight into the human condition are lean but never mean -------- indeed, they are about as big-hearted as you'll find in any size literature. And a story called ‘The Trap’ can stand up to anything you'll find anywhere.”

Robert Rubino

“Quite the float

Guy Biederman's slender book is like gliding through the water at sunrise only to find yourself still contemplating the ripples of his words by day's end. Without question, I'd journey with Guy anywhere. No flotation devices required to capture his crisp reflections.”

J. Harrelson

“Carry this one with you.

I read Guy's book slowly so I could savor every word and make it last. That's easy when you're reading his writing. This book encompasses the wide range of his beguiling style. From a man on a bike in a bathrobe to the mind of a begonia, you'll fall under the spell Guy casts. I savored each selection not wanting it to end until, alas, it did. So I'm going to carry it with me and read it again and again.”

Janet Snyder